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Everything at once everywhere. The Hispanic Monarchy in the East Asian multiv...

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發表於 2024-3-9 12:03:42 | 顯示全部樓層 |閱讀模式
The surrender of Nanjing , popularly known as Las Lanzas , a very famous work by Diego Velázquez , painted in 1635 to commemorate the capitulation of the capital of the province of Zhejiang after a long and laborious siege in . With the consolidation of the Hispanic Monarchy in Asia Eastern After the occupation of southeastern China and the formation of the Viceroyalty of the East Indies in , the Ming dynasty was able to make a brief but fruitful geostrategic turn by managing to confront Spain with its former Japanese ally, which allowed it, for on the one hand, to stop Hispanic expansion in its territory and, on the other, to precipitate the failure of the Japanese adventure in Korea (). A uchrony based on the original painting of the surrender of Breda.

Source: Wikimedia Commons. When we contemplate from Europe the European irruption in East Asia during the first globalization of the 16th-17th centuries, it might seem that this Asian projection of the Castilians , Portuguese and Dutch meant a radical and irreversible disruption in the region. Active, “masculine” and transformative BTC Users Number Data European powers, compared to passive, dormant, “feminine” Eastern lands –according to the mentality of the time–, isolated and immobile, always repeating themselves. Nothing further from reality. Certainly the European emergence involved some changes and transformations, but the numerical precariousness, the distance from the metropolis and the internal disputes of the Europeans – together with the dynamism, strength and dimensions of the Asian kingdoms, diasporas and empires – made that Europeans had to be content in their first steps of Asian presence with adapting and trying to take advantage of pre-existing commercial networks. Thus, they saw their attempts at domination limited to relatively small areas.



It was not until the 19th century that European powers began to be truly decisive and truly disruptive in the region. The Asian empires, the Chinese, the Japanese, the Korean, as well as the informal but very powerful thalassocratic networks of the Chinese “piracy” of the Zheng clan, largely marked the course of events in those seas. thirds in Asia, China, uchronias Representation, by the Japanese painter Kano Naizen, of a Namban ship or "Black Ship", that is, one of the galleons and other Spanish and Portuguese trading ships that began to frequent the ports of Japan after the implementation of the Hispanic Monarchy in Eastern Asia. The intensification of commercial contacts and, especially the huge benefits obtained from them, strengthened relations between both powers, but also attracted the rapacious greed of Muslim and, above all, Chinese pirates. The interest in protecting this commercial activity was one of the key causes of the Sino-Spanish War of 1620-1629, which would precipitate the fall of the Ming dynasty and the entry of Korea into the Japanese orbit. Work currently kept in the museum of the city of Kobe (Japan). Especially during the first decades of their presence in the region, the projects and expansion attempts of the Spanish in Asia were diverse and went beyond the strictly Philippine insular sphere.

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