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He practiced a new connection between realism

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發表於 2024-3-7 12:13:34 | 顯示全部樓層 |閱讀模式
In the combination of brushstrokes and ink images, he completes the work in one go without any sloppiness. The traditional pen and ink are broken up and reassembled according to the needs of creating the environment. Especially good at making use of contrast: the contrast of black and white, the contrast of thick and light, the contrast of dry and wet, creating a grand momentum, a sense of wholeness, a big tone, and a big rhythm. He used the black tone of traditional ink painting to express the huge size and mystery of Kunlun Mountain. At the same time, the painting is cleverly left blank to express snow, water, clouds, fog, and light. ]


It injects bright light into the dark mountains, activating the ancient and silent Kunlun. His black and white shape combinations are not dominated by ancient curves, but powerful triangles. He uses the momentum of triangles to express: to express the moun Argentina WhatsApp Number tain shape, making the picture move, showing vitality, and hundreds of triangles. It also breaks the depression and gloominess of the mountain. He uses the visual experience of contemporary people to select materials, composition, color, and pen and ink to achieve outstanding visual effects, distance himself from tradition, and pay attention to expressing unique connotations. In his recent creations, Ma Wanguo's Kunlun also has several colorful scenes, showing a new expansion of his realm. . The unity of realistic observation and freehand expression makes his paintings look freehand, bold and bold. Passionate and focused. But the writing is external and the work is internal, bold and unrestrained without being divorced from the object.



His way of observation and expression are realistic, focusing on appearance, light and darkness, and space. They belong to the Academy of Fine Arts, Xu Beihong, and Li Keran. His realistic concepts and freehand brushwork are combined with coherent writing quality.  and freehand brushwork, objectiveness and subjectivity, tradition and modernity. He was able to show full passion in realistic forms, which was the development of landscape painting that combined Chinese and Western styles, thus showing the mystery of Chinese painting.

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